Fans around the world were excited to find out the iconic HBO series Sex and the City will be getting a reboot. The announcement was recently confirmed by HBO Max, according to Variety.
Many viewers loved the show because of its nuanced perspectives on femininity, female sexuality, and relationships among women. Although many fans would say the show is one of the primary examples of female empowerment in the media, Sarah Jessica Parker has a different perspective.
In her opinion, Sex and the City was never about female empowerment. Developing a show that intentionally focused on feminism and female empowerment was never an intention of Sex and the City’s cast and crew.
Nobody on the ‘Sex and the City’ set used the word ’empowerment’
Parker shared her thoughts on the subject during a resurfaced 2017 interview with Variety.
“I don’t think that empowerment was a word that was ever used once on our set, in our writer’s room, among the female actors,” Parker admitted.
Regardless, she acknowledged that the depictions of women in the show were very new for TV at the time.
“I think … the depiction of those intimate kind of—that kind of intimate relationship among female friends was brand new,” Parker said.
Sarah Jessica Parker doesn’t think ‘Sex and the City’ was ‘intentionally empowering’ for women
Parker believes the show was more about focusing on a unique female character and her outlook on sexuality, rather than taking a stance on female empowerment.
“I think a female character who spoke so candidly about sex and sexual politics and her curiosity about behavior, her own, and others,” Parker said. “And I think because she was a writer she could ask a lot of provocative questions and observe. And the other characters could, as they were archetypes, sort of make choices and—it wasn’t intentionally empowering I guess is my point.”
She believes the show is about love
Furthermore, Parker doesn’t think showrunner Michael Patrick thought too much about the matter, either.
“Like, if you ask Michael Patrick, who was our primary showrunner for most of our seasons and movies as well, I don’t know that he would have suggested that empowerment was an aim or goal, or even our primarily female writing staff,” Parker said.
Instead, the writing staff enjoyed telling stories about women, love, and the events that happened among themselves.
“I think they liked telling stories about women,” Parker added. “That were authentic and often funny … But the real destination point for our show, as I understood it and feel as strongly … The show is really about love. It wasn’t about empowerment. It was always a journey of finding home. You know, where is that? What does contentment mean? How do you reconcile the things you want with what you’re given? How does Carrie and her female friendships, how do they find love? And it was a time and a place economically and politically … that allowed for us to tell those stories that way. And I think it’s more, I hear in retrospect, people talk about it being empowering …”
Parker also believes that had the show intentionally tried to address female empowerment, it wouldn’t have come off authentically.
“I think … if you had tried to write a show that was empowering, it would have been yucky and self-conscious. And it would have been contrived and stiff, versus Michael Patrick and his extraordinarily-gifted and skilled writing room just delight in storytelling.
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